Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
I wrote
Chinese Mexicans: Transpacific Migration and the Search for a Homeland, 1910-1960
Taking a transnational frame and drawing on English- and Chinese-language sources by and about Eurasians, this book uses juxtaposition to bring different perspectives to bear on each other. People’s lives, the choices they make amid various external limitations, are at the heart. The book takes a unique structural approach, with a prologue before each main chapter that describes a central story and helps ground and guide the larger narrative. In exploring interracial marriages and the lives of couples and children, the work shows how Eurasians have been producers of knowledge. Through highly diverse sources from the era, the author demonstrates that Eurasians have engaged in self-representation in complex ways and a broad range of voices and experiences comprise the category “Eurasian.”
In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and "Eurasian" often a derisive term? In Eurasian, Emma Jinhua Teng compares Chinese-Western mixed-race families in the United States, China, and Hong Kong, examining both the range of ideas that shaped the formation of Eurasian identities in these diverse contexts and…
I have read this book more than once and each time have found myself pulled into the life of the main character, a Chinese contract laborer, and his story, which spans several generations, set across the late nineteenth and twentieth centuries. The novel features an Afro-Chino Cuban family and shows how they become deeply part of Cuba. It also shows how the descendants of the mixed-race couple face trials in New York City and Vietnam, depicting complexities of race, gender, family, and heritage with beautiful, painful detail and emotion.
In this deeply stirring novel, acclaimed author Cristina García follows one extraordinary family through four generations, from China to Cuba to America. Wonderfully evocative of time and place, rendered in the lyrical prose that is García’s hallmark, Monkey Hunting is an emotionally resonant tale of immigration, assimilation, and the prevailing integrity of self.
Drawing on vivid “coolie” testimonies and slave narratives, this book shows how Chinese contract laborers worked alongside African slaves in the final decades of slavery in the nineteenth century, forming cross-cultural ties and engaging in bitter rivalries as well as other experiences in between. The book features the voices of both sets of groups, including complicated commentary by slaves on the lot of so-called coolies. A powerful read, it brings to life the personal experiences of members of these groups of people during a brutal era of history.
This book unfolds in a compelling, nonlinear manner, and crosses genres. A combination of biography and family memoir and journalistic and scholarly research, it traces overlapping stories as the author sets out to discover why her great-grandmother traveled from India to America as a “coolie” at the start of the twentieth century and how this migration shaped future generations. Beautifully written, the book raises thorny issues around gender, race, and nationality, offering insight into the wider journeys of Indian contract laborers to the Caribbean and beyond.
In 1903 a Brahmin woman sailed from India to Guyana as a 'coolie', the name the British gave to the million indentured labourers they recruited for sugar plantations worldwide after slavery ended. The woman, who claimed no husband, was pregnant and travelling alone. A century later, her great-granddaughter embarks on a journey into the past, hoping to solve a mystery: what made her leave her country? And had she also left behind a man? Gaiutra Bahadur, an American journalist, pursues traces of her great-grandmother over three continents. She also excavates the repressed history of some quarter of a million female…
This captivating, sensory novel features a Chinese man who is kidnapped and taken to work as a contract laborer in Peru’s guano, or bird dung, industry during the nineteenth century. With strong and memorable characters from the protagonist’s family in Southern China as well as the varied souls he meets on his journey, this story follows his attempts to return home to his family. It is an imaginative yet historically accurate story of perseverance and hope.
“ Held me captive right from the start.”—Alan Cheuse, NPR, All Things Considered
“Her clear voice and simple but elegant style easily turns this work into a real page-turner.”—Library Journal
“A vivid tale of a faraway time.”—Asian Week
“Beautifully combines the hardships and brutality of the kidnapping of a Chinese man, conditions on the slave ships, and the bitterness of backbreaking labor in a foreign land with the sadness and determination of a wife and family back home. . . . A story of emotional depth and truth.”—Lisa See, author of Snow Flower and the Secret Fan
At the turn of the twentieth century, Chinese men settled in the northern Mexican border state of Sonora. The ties—and families—they created led to a new cultural identity: Chinese Mexican. Anti-Chinese sentiment during the Mexican Revolution, however, ultimately got them expelled. Chinese Mexicans follows the community across borders and oceans to show how they fought for their place as Mexicans.
Tracing transnational geography, the book explores how these families developed a strong sense of Mexican national identity while living abroad. Even as they forged a hybrid enclave in southern China, they taught their children about the Mexican homeland. Upon repatriation in the 1930s-1960s, Chinese Mexicans, who had left Mexico with regional identities, now claimed national cultural belonging and Mexican identity in new ways.
Every picture tells a story, but it’s not always the one we expect or remember. Christmas Actually is a festive drama about family and forgiveness and a snapshot of modern family life, addressing Instagram to motherhood and everything in between.
Why Christmas? My publisher wanted my new novel to have a festive theme, specifically set in Australia–sun, surf, sunburn, and prawns. Christmas in Australia is very different from Christmas in the UK, USA, and Canada. We typically wear shorts and t-shirts, eat salad and seafood for Christmas lunch, and play beach cricket in the afternoon. Despite the season, conflicts, secrets,…
Time spent with family can be challenging, especially at Christmas actually…
Kate Cavendish is stuck in a rut. That is until a former colleague contacts her and offers her a chance to fulfil her lifelong dream of becoming a successful photographer.
With her focus pulled in all directions by her children, her pregnant sister, her newly-dating mother, and the niggling worry that her husband might be having an affair, Kate is filled with self-doubt.
Then as the countdown to Christmas begins, and memories of her own childhood resurface, Kate’s anxiety deepens – both personally and professionally. Can she move on…
